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I'm learning how to draw, and I'm trying to find the name of my favorite style so I can find more resources about it. The style is reasonably minimalistic, using only the necessary detail to make recognizable portraits (as opposed to hyperrealism) and largely ignoring physical flaws in a way that basically makes anyone attractive. However, the eyes and other areas are allowed additional detail to make the subject as attractive as possible. It's sort of an extension on sketching with relatively little shading.

Can you name the style, and maybe even provide some resources for working on it?

Here are a few examples, the first one by far the closest to what I'm looking for:

Girl facing left Girl facing cameraenter image description here

  • This is a tricky question, as there isn't an 'opposite' to any given art style per se. The answers below do have it right that these are portrait sketches, however. – jackwise Jun 23 '16 at 20:32
  • The opposite to hyper-realism would be pure abstraction. – rebusB Oct 22 '19 at 21:12
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These are simply portrait sketches. There's not, to the best of my knowledge, a specific term for the technique other than "sketching".

Sketching doesn't just mean an unfinished work, a doodle, or lack of detail. I think this phrasing from Painting.About.Com defines it well:

A sketch is painting or drawing capturing the essence of an object or scene, giving an idea or outline of it or simply a part thereof. How quickly or slowly a sketch is completed depends on the individual artist. Some work very quickly and roughly, others slowly and in great detail.

So, in these portraits, capture the eyes and certain features is just part of getting that essence of the person. Eyes are a very defining facial feature, and they're very humanizing and expressive. Adding detail to them is an easy way to make the drawing "pop".

The three examples you've given are distinctly different personal styles. As you seen in the top, it's more defined by outlines, hatching and cross-hatching. The second works more with fluid lines and varying tones. The last one is kept very loose, using "scribbles" and high-energy lines that go outside of the bounds for the hair, contrasted with well-defined edges and hatching for the face.

I wouldn't really consider any of these the opposite of hyperrealism, either. You can go much further away from that, such as gesture drawing and cartooning.

If there is a specific term for this, I've never heard anyone use it. This is the type of art I'm most interested in, so I've seen a lot of it and followed artists for years with no mention. I've also not heard anything used in any art class or tutorial I've taken.

At most, I think you'll be able to break down some individual techniques or concepts, somewhat like I did a couple paragraphs ago. If you're particularly focused on the beauty aspect of them, you may think of them as fashion, beauty or glamour portraits.

(As a side note, the first one you've listed is actually the most detailed of the three, which is especially obvious if you look at the lips, but there's many more details than that.)

  • It's really the first one I'm going for. I like how the eyes, lips, nose and hair have decent detail, but with the exception of subtle shading the rest is basically white. The style looks effortless, as if the artist spent minutes and not hours putting it on paper, and yet is easily the most attractive of the three, using a lot of ambiguity in areas where nothing interesting is happening like the cheeks, forehead and shoulder, leaving the imagination to color in its own preferences. This is in stark contrast to the almost rude blatancy of hyperrealism, which often just stresses physical flaws. – TheEnvironmentalist Jun 13 '16 at 3:42
  • @TheEnvironmentalist Well, it's still a sketch or drawing, just with different level of detail on different parts. If they started drawing blemishes or pores, it'll look out of place without adding more details to the whole piece. I would say the white seems to be less about lack of detail and just where the highlights from the light source hit. A child's face doesn't typically have much for visible blemishes – user24 Jun 13 '16 at 3:49
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Hyperrealism is a very 'tightly' drawn 'finished' drawing (or painting). The nearest term I can think of that would be the opposite of that would be 'Loose' drawing or painting. The drawings you have there are not really loose sketches but I suspect that is what you need to research in order to take your drawings in the right direction.

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In architecture school, we termed it freehand sketching - i.e., no drawing tools other than the pencil are permitted. We practiced by drawing while looking at the subject(s), and NOT looking at the paper, to practice improving the hand-eye coordination. We learned that it is important to know what is important to be able to be left out, to give a particular impression or emphasis, or intentional lack of emphasis, that the viewer's imagination fills in. often a mere hint of shadow in the nose area gives a person the sense of the nose, with almost no detail at all. Subtle differences in line weight with different pressures are also important. There's a lot of art in this kind of sketching, and the presentation of light and shadow can gives a real sense of three dimensional form to a simple 2-D drawing.

  • Do you know of any online resources or even just good samples in the specific style you're talking about? – TheEnvironmentalist Jun 13 '16 at 16:06
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The first two examples I would define as portrait sketches. And I would gauge that they are to be finished pieces.

The third example I would describe as a preliminary sketch possibly with pushed values. The reasoning stems from the lack of care around boundaries and the heavy contrast between shading.

Pushed Values: build a preliminary piece from black and white values to help create shape and depth for the final piece

See this previous answer on push your values for further detail & links.

There could be a counter argument against the pushed values, due to the detail around eyes, lips, and nose. But as these are normally the aspects of a portrait that have the highest detail, getting the shading right requires the greater focus, and therefore there greater care in a preliminary sketch.

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Hyperminimalism, hyperconceptual...

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    Welcome! Can you add some more details to this answer, some definitions of the term that help explain the contrast? (I think you're right, but we like to have answers with explanation to help anybody reading the question understand and learn.) – Erica Nov 12 '19 at 23:04

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